Yapay Zeka ile Terk Edilmiş Video Nasıl Yapılır? Prompt Örnekleri

Yapay zeka teknolojisi, sıradan bir şehir fotoğrafını veya modern bir odayı saniyeler içinde "terk edilmiş", "kıyamet sonrası" (post-apokaliptik) veya "doğa tarafından ele geçirilmiş" bir mekana dönüştürebilir. Bu rehberde, bu popüler görsel tarzı nasıl oluşturacağınızı ve kullanabileceğiniz en iyi araçları inceleyeceğiz.

İçindekiler

Bölüm 1: Dakikalar İçinde Terk Edilmiş Yapay Zekâ Videoları Nasıl Oluşturulur
Bölüm 2: Yapay Zekâ ile Terk Edilmiş Video Yapmanın En İyi 20 PromptuPopüler
Bölüm 3: Terk Edilmiş Video Trendleri İçin İpuclar

Bölüm 1. Dakikalar İçinde Terk Edilmiş Yapay Zekâ Videoları Nasıl Oluşturulur

yapay zekâ terk edilmiş videoları oluşturmak ileri seviye düzenleme becerileri gerektirmez. Doğru araçlarla, bir fikri sadece birkaç dakika içinde tamamlanmış bir videoya dönüştürebilirsiniz.

Adım 1. yapay zekâ destekli görsel oluşturma araçları kullanılarak terk edilmiş atmosferi yansıtan bir sahne hazırlanır.

Aracı Seçin: OpenArt veya benzeri bir AI platformunu açın.
Model ve Ayarlar: En iyi sonuçlar için Nanobanana Pro modelini seçmeniz önerilir. En boy oranını (Aspect Ratio) video formatınıza uygun olarak 9:16 (dikey) veya 16:9 (yatay) olarak ayarlayın.
Prompt Girişi: İstediğiniz karakteri veya mekanı (örneğin: "Terk Edilmiiş Istanbul") tanımlayan komutu girin. (Bölüm 2'de sizin için hazırladığımız hazır komutları bulabilirsiniz).

Adım 2. Hazırlanan görsel daha sonra AI tabanlı "image to video" araçlarıyla kısa bir videoya dönüştürülür.

Video Modelini Kullanın: Hazırladığınız görseli Google Veo 3.1 veya Runway Gen-3 gibi gelişmiş video araçlarına yükleyin.
Atmosfer Ekleyin: Video oluşturma aşamasında, kameranın bir el feneriyle karanlıkta dolaşıyormuş gibi hareket etmesini sağlayan "handheld camera" veya "flashlight illumination" gibi komutlar ekleyerek videonuzu tamamlayın.

yapay zekâ ile terk edilmiş fotoğraf oluşturun

yapay zekâ ile terk edilmiş video oluşturun

Google Veo 3.1 için terk edilmiş tarzı videosunu yapma promptu aşağıdadır:

Konu	Prompt	Hemen Kopyala
Birinci Şahıs Buluntu Görüntü Kamera Kuralları	Kamera, aynı mekânda yavaşça yürüyen gerçek bir insanın birinci şahıs bakış açısını temsil eder; kesme, geçiş veya zaman atlaması olmayan tek ve kesintisiz bir çekim olarak sunulur. Hareketler yere bağlı ve doğaldır: hafif dikey adım sallantısı, nazik sağ-sol salınımı, yalnızca doğal baş hareketleri; kamera yüksekliği ortalama insan göz hizasında sabittir. Uçma yok, sabitleme yok, hızlanma ya da durma yok — baştan sona yavaş ve tutarlı bir yürüme temposu vardır. İzleyici elinde bir el feneri tutar; ışık huzmesi gecikmeli tepki verir, küçük düzeltmeler yapar, düzensiz ve kusurlu taramalar gösterir. Işık, gerçek bir elde taşınan el fenerinde olduğu gibi bazen tereddüt eder veya hedefi aşar. Karakter her zaman tamamen cansız kalır — göz kırpma, nefes alma, yüz mikro-hareketleri, kas gerilimi veya bilinç ima eden hiçbir şey yoktur. Hiçbir koşulda karakterden en ufak bir hareket gelmez. Sadece çevresel hareketlere izin verilir: havada süzülen toz parçacıkları, hafif ışık titreşimleri, havaya ya da harekete çok az tepki veren küçük gevşek unsurlar. Başka hiçbir hareket yoktur. Ortam baştan sona tamamen tutarlı kalır: sahne değişimi, ışınlanma, mekân kayması veya yeni nesnelerin ortaya çıkması yoktur. Fotogerçekçi buluntu görüntü gerçekçiliği. Düşük ışık koşulları, güçlü gölgeler, kirli ve yıpranmış dokular, adımlar sırasında hafif hareket bulanıklığı, düşük ışık dijital gürültüsü, kusurlu netlik değişimleri ve doğal görsel kusurlar. Sinematik kadraj yok, dramatik kamera hareketleri yok — tamamen gözlemsel görüntüler. Hareket olmamasına rağmen durgunluk doğal olmayan ve rahatsız edici bir his yaratır.	KOPYALA

Bölüm 2: Yapay Zekâ ile Terk Edilmiş Video Yapmanın En İyi 20 Promptu

Aşağıdaki promptlar, özellikle "terk edilmiş film seti" veya "metruk şehir" temalı videolar oluşturmak için optimize edilmiştir:

1. Yapay Zekâ Terk Edilmiş İstanbul Video Trend Promptları

Kategori	Prompt(İngilizce)	Örnekleri	Kopyalama
Galata Kulesi	Galata Tower in Istanbul appears as a decaying, abandoned landmark, partially crumbled with overgrown vines and broken windows. The viewer’s flashlight casts a single circular beam, highlighting the crumbling stone texture, graffiti, and debris-strewn streets while the surrounding city disappears into darkness. The uploaded image is used as the exact visual reference—tower structure, windows, and historical details preserved—now aged, cracked, and weathered, creating a photorealistic abandoned atmosphere. Shot from a low, handheld cinematic angle with flashlight-only lighting for dramatic shadows.		Kopyala
Sultanahmet Meydanı	Sultanahmet Square is shown as deserted and abandoned at night, with the Hagia Sophia and Blue Mosque facades faded, cracked, and partially covered in dust and moss. The uploaded image is the exact reference—architectural details, domes, and minarets preserved—now weathered and empty, with scattered debris and broken benches. Flashlight-only lighting from the viewer creates deep shadows, emphasizing a haunting, photorealistic sense of neglect and abandonment. Captured from a slightly tilted aerial cinematic angle.		Kopyala
İstiklal Caddesi	Istiklal Street appears as a lifeless, abandoned urban scene, shops shuttered and signs faded. The viewer’s flashlight beam illuminates cracked pavements, scattered trash, broken street lamps, and tangled cables. The uploaded image is the exact visual reference—street layout, tram tracks, and storefronts preserved—now worn, dusty, and partially destroyed. Shot from a low, handheld cinematic POV, flashlight-only lighting creates ultra-realistic, photorealistic shadows, evoking a sense of urban abandonment frozen in time.		Kopyala

2. Yapay Zekâ Terk Edilmiş Kung Fu Panda Video Trend Promptları

Terk Edilmiş Kung Fu Panda AI Video Yapma Promptu

Kategori	Prompt(İngilizce)	Kopyalama
Kung Fu Panda – Po	Po from Kung Fu Panda appears as a massive, lifeless animatronic panda slumped against a crumbling training hall set, revealed only by the viewer’s handheld flashlight casting a single circular beam into the surrounding darkness. The uploaded image is used as the exact visual reference—his black-and-white fur textures, rounded proportions, facial structure, and fabric materials are preserved without stylization—now matted with dust, oil stains, and patches of discoloration. His kung fu pants are stiff with grime, seams frayed and torn, with faint rusted joints visible beneath the fabric. He is completely inactive, no pose or expression, like a forgotten prop. The floor is coated in dust, scattered with coiled cables, broken light stands, and abandoned camera rigs, while faded temple set pieces loom behind him. Shot from a low, handheld cinematic angle, the flashlight beam creates harsh shadows and deep contrast, ultra-realistic and photorealistic.	Kopyala
Kung Fu Panda – Tigress	Tigress from Kung Fu Panda stands rigid and motionless as an abandoned animatronic figure, her form partially obscured by darkness except where the viewer’s flashlight beam cuts across her face and torso. The uploaded image is the exact reference—preserving her orange-and-black fur pattern, athletic proportions, and facial features—now dulled by heavy dust buildup, grime streaks, and worn fabric wraps around her arms and legs. The animatronic body shows no life or intent, joints stiff and locked, with subtle cracks and exposed mechanical seams. Around her, the derelict set is littered with old boom mics, tangled cables, and faded training props, all coated in dust. The cinematic camera angle is slightly tilted, emphasizing abandonment, with stark flashlight-only lighting and deep shadows for a hyper-realistic, cinematic feel.	Kopyala
Kung Fu Panda – Usta Shifu	Master Shifu from Kung Fu Panda is depicted as a small, lifeless animatronic prop collapsed beside a decaying jade palace set, illuminated solely by the viewer’s circular flashlight beam while everything else fades into black. The uploaded image is used as an exact visual reference—his fur color, facial structure, robe textures, and proportions remain unchanged—now visibly aged with discoloration, frayed edges, and dust packed into every crease. His glassy eyes stare blankly forward, completely inactive, with no hint of emotion or motion. The surrounding floor is cluttered with obsolete film equipment, cracked set walls, loose cables, and fallen lantern props, all thick with dust. Captured from a close, downward cinematic angle, the scene is ultra-realistic, photorealistic, and eerily still.	Kopyala
Kung Fu Panda – Tai Lung	Tai Lung from Kung Fu Panda appears as a towering, inert animatronic snow leopard chained to a ruined prison set, revealed only where the viewer’s flashlight beam strikes his scarred, plastic-fur face and broad chest. The uploaded image is the exact reference—retaining his muscular proportions, fur coloration, facial features, and armor details—now marred by grime, rust stains, torn straps, and deep scratches across his surface. He is completely lifeless, no aggression or pose, merely a discarded prop with stiff limbs and exposed mechanical joints. Dust blankets the floor, where broken shackles, cables, and abandoned dolly tracks lie tangled among faded rock set pieces. Shot from a dramatic low-angle POV with harsh flashlight lighting, the scene feels cinematic, ultra-realistic, and hauntingly abandoned.	Kopyala
Kung Fu Panda – Usta Oogway	Master Oogway from Kung Fu Panda is shown as a motionless animatronic tortoise resting against a deteriorating peach tree set, barely visible except for the viewer’s flashlight beam forming a circular pool of light. The uploaded image is used as the exact visual reference—his shell texture, aged facial features, robe fabric, and muted colors are preserved—now layered with dust, cracks, stains, and subtle moss-like discoloration. His body is entirely inactive, head tilted slightly forward as a forgotten prop rather than a living being. Surrounding him are dusty floors, fallen fake petals, old lighting rigs, coiled cables, and faded backdrop panels. The cinematic camera angle is slow and reverent, with flashlight-only illumination and deep shadow, rendered in ultra-realistic, photorealistic cinematic quality.	Kopyala

3. Yapay Zekâ Terk Edilmiş SpongeBob SquarePants Video Trend Promptları

Kategori	Prompt(İngilizce)	Kopyalama
SüngerBob KarePantolon	SpongeBob SquarePants from SpongeBob SquarePants appears as a lifeless, boxy animatronic prop slumped against a deteriorating Bikini Bottom interior set, revealed only by the viewer holding a flashlight that casts a single circular beam while everything else disappears into darkness. The uploaded image is used as the exact visual reference—his bright yellow porous texture, square proportions, facial features, white shirt, red tie, and brown shorts are preserved precisely, now faded, stained, and stiff with age. His sponge surface is cracked and discolored, pores clogged with dust and grime, seams splitting at the edges with hints of internal mechanics visible. He shows no pose or emotion, completely inactive. The floor is layered with dust, scattered with old underwater-themed set pieces, tangled cables, rusted light stands, and abandoned camera equipment. Shot from a low, handheld cinematic angle, flashlight-only lighting creates harsh shadows and an ultra-realistic, photorealistic sense of abandonment.	Kopyala
Patrick Yıldız	Patrick Star from SpongeBob SquarePants lies motionless as a faded animatronic starfish prop on a collapsed rock set, illuminated solely by the viewer’s flashlight beam cutting through surrounding darkness. The uploaded image is the exact reference—his pink skin tone, rounded proportions, facial structure, and green floral shorts remain unchanged—now dulled by dust, stains, and uneven discoloration. His rubbery surface is cracked and peeling, with torn seams and stiff joints exposing corroded internal components. Patrick is completely lifeless, no expression or movement. Around him, the dusty set floor is cluttered with old filming equipment, loose cables, broken prop coral, and faded backdrop panels. Captured from an overhead cinematic angle, the scene feels hyper-realistic, eerie, and frozen in time.	Kopyala
Squidward Tentacles – Ahtapot	Squidward Tentacles from SpongeBob SquarePants stands rigid and inactive as a tall animatronic figure beside a decaying Krusty Krab interior set, revealed only where the viewer’s flashlight forms a circular pool of light. The uploaded image is used as the exact visual reference—his pale blue-green skin, elongated head, drooping facial features, and brown polo shirt are preserved exactly—now coated in dust, grime streaks, and fabric wear. Fine cracks run along his stiff limbs, with rusted joints faintly visible beneath the surface. He displays no emotion or pose, resembling a forgotten museum prop. The environment is filled with dusty floors, abandoned boom mics, tangled cables, overturned stools, and obsolete camera rigs. Shot from a slightly tilted cinematic angle, flashlight-only illumination creates deep shadows and an ultra-realistic, photorealistic atmosphere.	Kopyala
Bay Yengeç	Mr. Krabs from SpongeBob SquarePants appears as a bulky, inert animatronic crab propped behind a crumbling cashier counter set, exposed only by the viewer’s handheld flashlight beam. The uploaded image is the exact reference—his red shell texture, large claws, eyestalks, blue shirt, and belt are preserved without redesign—now heavily scratched, dulled, and stained with rust-like discoloration. His shell shows chipped edges and seam lines, joints locked in place, completely lifeless. The surrounding set is coated in dust, with scattered coins, old register props, coiled cables, and abandoned lighting equipment littering the floor. Captured from a low, front-facing cinematic POV, the lighting is stark and directional, creating a hyper-realistic, abandoned-film-set mood.	Kopyala
Sandy Cheeks – Sincap	Sandy Cheeks from SpongeBob SquarePants is shown as a rigid, lifeless animatronic squirrel collapsed inside a deteriorating treedome set, barely visible except for the viewer’s flashlight beam piercing the darkness. The uploaded image is used as the exact visual reference—her brown fur texture, facial features, astronaut suit, helmet, and flower emblem are preserved exactly—now clouded with dust, scratches, fabric fraying, and yellowed plastic. Her suit joints are stiff and corroded, with exposed mechanical seams, no movement or expression remaining. The environment includes dusty floors, fallen fake plants, old oxygen-tank props, tangled cables, and abandoned camera dollies. Shot from a close, handheld cinematic angle with flashlight-only lighting, the scene is ultra-realistic, photorealistic, and hauntingly still.	Kopyala

4. Yapay Zekâ Terk Edilmiş Toy Story Video Trend Promptları

Kategori	Prompt(İngilizce)	Kopyalama
Woody – Kovboy Bebek	Woody from Toy Story appears as a lifeless animatronic cowboy doll slumped against a decaying child’s bedroom movie set, revealed only by the viewer holding a flashlight that casts a single circular beam while everything else fades into darkness. The uploaded image is used as the exact visual reference—his cloth face, stitched smile, painted eyes, brown hat, yellow plaid shirt, cowhide vest, red bandana, blue jeans, and sheriff badge are preserved precisely, now faded, dust-caked, and stained. His fabric is worn thin at the seams, with discoloration and grime embedded into the fibers, and stiff joints hinting at internal mechanisms beneath the clothing. He shows no pose, no emotion, completely inactive like a discarded prop. The dusty floor is littered with old film lights, tangled cables, overturned toy props, and a forgotten camera dolly. Captured from a low, handheld cinematic angle with flashlight-only lighting, the scene is ultra-realistic and photorealistic.	Kopyala
Buzz Lightyear – Uzay Koruyucu	Buzz Lightyear from Toy Story stands rigid and motionless as an abandoned animatronic space ranger prop, partially illuminated by the viewer’s circular flashlight beam cutting through surrounding darkness on a deteriorating sci-fi bedroom set. The uploaded image is the exact reference—his white, green, and purple suit, helmet dome, chest decals, wing pack, and facial features remain unchanged—now scratched, yellowed, and dulled with heavy dust buildup. Plastic surfaces show cracks and scuffs, with rust-stained joints and exposed seams at the elbows and neck. Buzz displays no heroism or stance, completely lifeless. Around him lie dusty floors, broken star-shaped set pieces, old lighting rigs, coiled cables, and abandoned camera equipment. Shot from a dramatic low-angle POV, the flashlight creates stark highlights and deep shadows, ultra-realistic and cinematic.	Kopyala
Jessie – Kovboy Kızı	Jessie from Toy Story is shown as a collapsed, lifeless animatronic cowgirl prop resting against a faded Western playset backdrop, visible only where the viewer’s flashlight forms a tight circular pool of light. The uploaded image is used as the exact visual reference—her red braided yarn hair, pale cloth face, cowgirl hat, white shirt with yellow accents, blue jeans, and chaps are preserved exactly—now frayed, discolored, and coated in dust. Her fabric limbs are stiff and bent unnaturally, seams splitting to reveal internal supports. She shows no expression or motion, completely inactive. The environment is filled with dusty floors, old boom mics, tangled cables, collapsed prop fencing, and faded painted scenery. Captured from a close, slightly tilted cinematic angle, the flashlight-only lighting gives the scene a photorealistic, abandoned-film-set atmosphere.	Kopyala
Bay Patates – Parçalı Oyuncak	Mr. Potato Head from Toy Story appears as a dismantled, lifeless animatronic prop seated on a dusty studio floor, illuminated solely by the viewer’s flashlight beam while the rest of the set disappears into darkness. The uploaded image is the exact reference—his brown plastic body, removable eyes, nose, mouth, ears, hat, and shoes are preserved in shape and color—now scuffed, scratched, and stained with grime. Several facial pieces sit misaligned or loosely attached, with visible seam lines and internal mounts exposed. He is completely inactive, no humor or expression remaining. The surrounding environment includes dusty floors, scattered facial prop pieces, coiled cables, broken camera rigs, and faded set walls. Shot from an overhead cinematic POV, the lighting is harsh and directional, ultra-realistic and eerie.	Kopyala
Rex – Dinozor	Rex from Toy Story is depicted as a large, inert animatronic dinosaur prop collapsed beside a crumbling toy-store display set, revealed only by the viewer’s handheld flashlight casting a circular beam. The uploaded image is used as the exact visual reference—his green plastic texture, bulky proportions, facial features, and short limbs remain unchanged—now heavily scratched, dulled, and layered with dust and discoloration. His mouth hangs slightly open, joints locked and lifeless, with subtle cracks and exposed mechanical seams along the neck and tail. He shows no movement or emotion. The floor is coated in dust, strewn with old filming equipment, tangled cables, fallen signage, and faded backdrop panels. Captured from a low, wide cinematic angle with flashlight-only illumination, the scene is ultra-realistic, photorealistic, and hauntingly still.	Kopyala

5. Yapay Zekâ Terk Edilmiş Monsters, Inc. Video Trend Promptları

Kategori	Prompt(İngilizce)	Kopyalama
James P. “Sulley” – Canavar	James P. “Sulley” Sullivan from Monsters, Inc. appears as a towering, lifeless animatronic monster slumped against a decaying factory interior set, revealed only by the viewer holding a flashlight that casts a single circular beam while everything else fades into darkness. The uploaded image is used as the exact visual reference—his blue fur with purple spots, massive proportions, horns, facial features, and textures are preserved precisely, now matted with dust, oil stains, and heavy discoloration. His fur is clumped and worn thin in places, seams splitting to reveal stiff internal framework and rusted joints beneath. He shows no posture or emotion, completely inactive like a forgotten prop. The dusty floor is cluttered with old scare-floor machinery, tangled cables, abandoned light stands, and obsolete camera rigs. Captured from a low, handheld cinematic angle with flashlight-only lighting, the scene is ultra-realistic, photorealistic, and oppressive.	Kopyala
Mike Wazowski – Tek Gözlü Canavar	Mike Wazowski from Monsters, Inc. lies motionless as a round, lifeless animatronic prop tipped sideways on a deteriorating factory set floor, illuminated solely by the viewer’s flashlight beam cutting through surrounding darkness. The uploaded image is the exact reference—his bright green skin, single large eye, small horns, mouth shape, and proportions remain unchanged—now dulled by dust, grime streaks, and scuffed patches. The glossy surface is cracked and scratched, with exposed seam lines and corroded mechanical mounts visible along his underside. He shows no expression or activity, completely inert. Around him are dusty floors, fallen door-track props, loose cables, broken lenses, and faded industrial set pieces. Shot from an overhead cinematic angle, the flashlight creates stark highlights and deep shadows, hyper-realistic and eerie.	Kopyala
Boo – Küçük Kız	Boo from Monsters, Inc. is depicted as a small, lifeless child-sized animatronic figure seated limply beside a crumbling bedroom-door set, revealed only within the viewer’s circular flashlight beam. The uploaded image is used as the exact visual reference—her pigtails, facial features, purple shirt, pink leggings, and proportions are preserved exactly—now faded, dust-caked, and stiff like a discarded mannequin. Fabric clothing shows frayed edges, stains, and discoloration, with rigid joints and exposed seams at the knees and shoulders. She displays no emotion or movement, completely inactive. The surrounding environment includes dusty floors, toppled door frames, old lighting rigs, tangled cables, and scattered set debris. Captured from a close, downward cinematic POV with flashlight-only lighting, the scene is ultra-realistic, photorealistic, and unsettlingly still.	Kopyala
Randall Boggs – Kertenkele Canavar	Randall Boggs from Monsters, Inc. appears as a long, skeletal animatronic reptilian figure collapsed against a shadowy factory corridor set, barely visible except where the viewer’s flashlight beam strikes his body. The uploaded image is the exact visual reference—his purple scaly texture, elongated limbs, facial structure, and segmented proportions remain unchanged—now dulled by dust, grime, and peeling surface layers. His skin shows cracks and abrasions, with stiff joints and exposed mechanical seams along his spine and tail. He is completely lifeless, no tension or movement remaining. The dusty environment is littered with old conveyor props, coiled cables, broken camera dollies, and faded warning signage. Shot from a dramatic side-angle cinematic POV, flashlight-only lighting creates deep, angular shadows, ultra-realistic and cinematic.	Kopyala
Roz – Ağır Ofis Görevlisi	Roz from Monsters, Inc. is shown as a heavy, inert animatronic slug-like prop seated behind a deteriorating desk set, illuminated solely by the viewer’s handheld flashlight forming a circular pool of light. The uploaded image is used as the exact visual reference—her pale green skin tone, drooping facial features, glasses, and bulky proportions are preserved exactly—now layered with dust, stains, and yellowed discoloration. Her surface shows fine cracks and seam lines, glasses clouded with grime, joints locked and lifeless. The desk and floor around her are coated in dust, scattered with old paperwork props, tangled cables, broken monitors, and abandoned filming equipment. Captured from a low, front-facing cinematic angle with stark flashlight illumination, the scene is ultra-realistic, photorealistic, and hauntingly abandoned.	Kopyala

Bölüm 3: Terk Edilmiş Video Trendleri İçin İpuclar

Son dönemde sosyal medyada popüler olan "terk edilmiş animasyon karakterleri" akımı için şu detaylara odaklanın:

Işıklandırma: Videolarınızda sadece bir el feneri (flashlight) ışığı varmış gibi bir atmosfer yaratın. Bu, "bulunmuş film" (found footage) hissi verir.
Doku Detayları: Karakterlerin üzerine toz (dust), pas (rust) ve çatlak (cracks) efektleri eklemeyi unutmayın.
Hareketsizlik: AI video araçlarında karakterlerin hareket etmemesini, sadece kameranın sallanmasını (handheld camera) isteyerek gerçekçiliği artırabilirsiniz.

Sonuç

Yapay zeka araçları sayesinde hayalinizdeki o gizemli ve ürkütücü atmosferleri gerçeğe dönüştürmek artık çok kolay. İster yerel bir İstanbul sokağını doğanın eline bırakın, ister çocukluk kahramanlarınızı terk edilmiş bir film setinde canlandırın; doğru araçlar ve yaratıcı promptlar ile sonuçlar her zaman büyüleyici olacaktır. Görsellerinizde kusursuzluğu yakalamak ve modern detaylardan arınmış, tamamen ıssız sahneler yaratmak için PixPretty AI Fotoğraf Düzenleyici'nin sunduğu akıllı çözümlere göz atmayı unutmayın. Şimdi sıra sizde, ilk terk edilmiş sahnenizi oluşturmaya hemen başlayın!

AI Terk Edilmiş İstanbul veya Film Sahneleri Oluşturma